The 'Rule' of Thirds

There is a rule that seems to be taken as a biblical guidance caste down in stone as the 11th commandment for photographers: The Rule of Thirds (hereafter referred to as RoT). This piece of guidance is viewed by many as a starting point for composition. It’s muttered like a mantra at camera-club meetings (woe betide the photographer who dares not use it at one of these gatherings), and is often the first thing that is mentioned in books on photographic composition. The problem with such a strong term as ‘rule’, is that photographers will sometimes feel that they have to craft the image so that it fits the rule, rather than look at the elements and allow them to fall into place in a manner that works best for both the subject matter at hand.

Advice In Looking for that first bit of work experience

Every now and again I get a request from some young photographer asking if they can shadow me on a shoot, be an intern, or more baldly, be given a job. Some of these requests I entertain, as the photographer has caught my eye in some way. The reality though is that I doubt that many of these job/intern/shadow seekers get much success from the email approach. The hit rate with me is probably 1:20. I have found myself writing a response to several in the past as to why their missive hasn’t struck the right cord. So this is a post written to all those out there who are wanting to get noticed by a potential employer.

The First Order of Composition - Frame

Classic use of objects within the frame to frame other objects, creating layers of frame-subject relationships

 

One of the defining characteristics of a photograph is that it is two dimensional. Being two two dimensional means that there has to be an edge to the picture as an object. This is very succinctly put by Stephen shore who wrote that “the photograph has edges, the world has not” (Stephen Shore -The Nature of Photographs: 1998). Part of the photographer’s goal is to delineate their experience of the world within a frame and so depict their ‘view’ of the world to a viewer in another time and place.